Tag Archives: India

Indian Fabric Heaven

My mother used to say that her vision of entering heaven would go like this: The Pearly gates roll back. St Peter emerges carrying a tool box. After serving tea, gin and tonic or whisky (depending on the time of day) St Peter asks ‘are there any little jobs you want doing Mrs R?’ Well, my version of entering heaven goes like this. The Pearly gates roll back, to reveal the entrance to Jayalakshmi Silk Shop in Cochin. I am greeted by a whole department store stacked from floor to ceiling with silks of every colour, hue and texture beyond my wildest imaginings. Not one, not two, but a hundred shades of each colour. Floaty gossamer chiffons, dense shimmering satins and textured hand-weaves. And even better, there’s a remnant corner where an area the size of a medium-sized planet is packed with ends-of-rolls at crazy give-away prices.

This isn’t the time to be all English in your shopping style. It’s no good in India saying ‘Thank you, I’m just browsing’. In India that is interpreted as ‘I need more help to find what I want’. In my experience, this usually leads to all the contents of the shop spread out on the floor, more coffee drunk than I normally have in a week, and some random thing bought just so I can get out of the shop. Instead, in Jayalakshmi Silks it’s best to enjoy the help and advice of the most delightful sales assistants in the world, and to accept the offers of iced water and a coffee-break when needed. There’s even an air-conditioned ‘waiting room’ with iced water and ginger coffee served to the waiting men-folk before they lose the will to live. Apparently it’s not unknown for groups of women to spend three days there when they’re buying the fabrics for a big wedding. You can see the men nervously fingering their wallets!

My previous attempts at fabric buying earlier in the trip weren’t a great success. On my last trip to India (Rajasthan and Gujerat) it was really easy buying fabric from small shops and stalls, but for some reason it was harder in Kerala. Some of the markets and shops I located on Google before the trip were in fact huge stores for wholesale only, and others were selling synthetic tat. I did manage to find a great bazaar in Madurai in Tamil Nadu which had lots of stalls selling silks. ‘Great’, I thought to myself. ‘This is the place’.  Most of the fabric stalls sell fabric that they give to tailors who make made-to-measure clothes that are stitched up immaculately there and then. (Apologies for the fuzzy focus in this photo, but I was using the phone not the camera). It was a lovely time-warp experience to see the old singer treadle sewing machines like my granny’s.

There’s a story behind why I look so hot and bothered in this photo taken in the bazaar. Firstly, I was too hot. A hot Jane is a dangerous thing, according to my husband. Secondly, I discovered afterwards that my guide had told the stall-holder that I was a big buyer from England who wanted to buy hundreds of yards of silk. I think something got lost in the translation – no wonder the seller was eager! Thirdly, I hate haggling and have no idea how to do it (anyone remember the Monty Python haggling scene, when the buyer talks himself up and up in price?) My version of haggling goes like this. Me: ‘How much is it?’ Seller: ‘X rupees’. Me: ‘OK’. Not how it’s done! And the final problem was that when I converted rupees to pounds I got totally confused with the number of zeros (I blame the heat). That left me thinking I didn’t have enough cash on me, and putting most of the silks I’d carefully chosen back on the shelf and buying just a couple of apologetic half-metres. I cut this photo in half to post it here- the other half has a rather thunderous-looking stall-holder standing next to me. Ah well, you live and learn! And Jayalakshmi Silk Shop made up for it.

There’s been a long gap since my previous blog post and there’s so much to catch up on. I’ll try to keep abit more up-to-date and to catch up on my trip to Kerala and some of the wonderful colours and designs (not too many holiday snaps, I promise!) And also an update on what I’m working on at the moment, and a wonderful course I’ve just been on with Ruth Issett at Art Vango. Where do I start? But I think the sun’s under the yard-arm so I’m signing off for now.

 

 

 

Reclaiming Childhood

Claire Phillips: Geeta

Last week I went to the opening night of an exhibition of paintings by Claire Phillips, a Sussex portrait artist, at the Oxo Tower in London. The title of the exhibition is ‘Reclaiming Childhood: Face To Face With Child Labour In India’. For several years Claire has worked with the charity ‘Bachpan Bachao Andolan’, which is a charity that rescues children from slave-labour in India. Some of the children come from factories and from domestic service. Many come from embroidery sweat-shops, where they have been stitching for hours and hours each day. They have no education, no health-care, no freedom, no time to play, and no kindness. If they fall asleep while working they are beaten. If they cry, they are beaten. They can’t see any way out or any future. Children are particularly desirable to embroidery sweatshops; they have good eyesight, nimble fingers, and can do detailed work that is more challenging for adults. One particular irony in India is that the numbers of children who are estimated to be in bonded labour instead of education is roughly equivalent to the number of adults who are out of work. This is the cost of the cheap embroidery that we buy in the West.

Painting by Claire Phillips: Mukti-Ashram Boys

Painting by Claire Phillips: Mukti-Ashram Boys

As embroiderers we know just how long it takes to hand-stitch sequins, or to do exquisite metal-thread work, or to stitch on tiny beads. How often do we buy a piece of embroidered clothing, or a bag or scarf, which has been hand-stitched in India? When we do, how often do we stop to ask ourselves why it is so incredibly cheap? Why not apply a quick bit of logic. Start with the price we pay, and subtract the cost of the shop that we bought it from (staff, premises, business rates etc). Subtract the cost of handling and shipping it across the sea from India. Subtract the cost of the wholesaler in India. Subtract the cost of transporting it within India. On top of the costs at each stage, add a profit margin. Once you have taken off all that, what is left? Peanuts. In that case, how can the person at the very end of the chain, the person who stitched it, possibly have been paid a decent living wage? And how likely is it that this person was a child?

The lucky ones are rescued by the charity. Some are returned to parents, and others stay in children’s homes run by the charity. Here they receive care and kindness, proper food, education and time to play. They learn to trust people; they learn hope, and they learn that they can have a future.

Painting by Claire Phillips:  Deepika

Painting by Claire Phillips: Deepika

The sound-track and the written commentary to the exhibition tell us about the conditions that some of the children were rescued from, and the painful stories that led to their exploitation. However, the exhibition is lighter in spirit than I expected. The paintings show the children just as children, as Claire met them; playing, playful, exploring, mischievous, and fun. These are children who have a second-chance at childhood. It takes them time to learn to trust the adults around them – but once they do, their sense of fun is tremendous.

Child working on zari-work

Child working on zari-work

The art on one wall is a poignant reminder of what these children have lost and regained. There are two sets of pictures done by the children; the first set is soon after they are rescued, when their drawings tend to be timid and unconfident. Some, like the ones below, show details of the embroidery work they had to do for hours – in this case Zari (goldwork).

Children's art soon after rescue

Children’s art soon after rescue

Children's art soon after rescue

Children’s art soon after rescue

 

 

 

 

 

 

 

Children's art

Children’s art

 

 

Other pictures are done by children who have been at the centre for longer and who have started to experience the world as free children should be able to experience it. These pictures fill the page with expressive, joyful images of the world around them; houses, the sun, a cow, or flowers. They have recovered a sense of childhood that most western children can take for granted.

Children's art

Children’s art

Children's art

Children’s art

Children's art

Children’s art

Kailash Satyarthi

The exhibition is on at The Oxo Tower until the 20th July, and will be at Worthing Museum and Art Gallery from 13th September 2014 until the 24th January 2015. Do go and see it if you can.

For more information on the charity, go to http://www.bba.org.in/

For more on Claire’s art, go to http://www.clairephillips.com/

There is also a talk by Kailash-Satyarthi at the Oxo Tower on the closing day of the London exhibition (20th July). Kailash is rated as one of the top human rights defenders of the world today. He and his colleagues literally risk their lives in the process of freeing enslaved children, and they have rescued around 80,000 children. In the painting by Claire (bottom left) he is pictured with some of the children rescued by Bachan Bachao Andolan. They are having a school lesson, something taken for granted by western children.

http://www.oxotower.co.uk/events/talk-human-rights-defender-kailash-satyarthi/

 

 

 

 

 

 

 

 

 

 

 

Thank you to Claire Phillips for permission to include images of her work on this blog.