The Missenden Abbey Open Day last weekend was a wonderful display of work across a range of different subjects. There were tutor displays that included floral art, beadwork, botanical painting, watercolour, ceramics, mosaics, batik and goldwork. I had an interesting conversation with a graphologist, who ‘read’ my handwriting with great accuracy. She seemed quite intrigued by the fact that I can write fluently in joined-up mirror-writing (not the most useful skill in the world, but apparently quite interesting for a graphologist. I gather I share this strange phenomenon with Leonardo Da Vinci and Lewis Carrol!). I remember quite clearly one day, as a child, I just decided that I would be able to do mirror-writing, and sat down and did it. It didn’t take any practice. There was a strange way of shutting off the part of the brain that said I couldn’t do it, and almost hypnotising myself into knowing that I could do it. It seems to be important that I have both feet planted on the ground, and that I am relaxed. There’s a process of kind of ‘sinking down inside myself’ almost like a meditation, and then it just happens. I have no idea why, or what it means. The only thing I do know is that it feels just the same as being absorbed in observational drawing.
We were impressed with the City and Guilds student work in Stitched Textiles (Embroidery) and Patchwork and Quilting. The photo above is a piece by Bobby Francis. It is a big ‘installation’ of exuberant folded strips of stitched paper, which cascade from a height of about 6ft, to a ‘tumble’ on the floor. Below left is the ‘tumble’ as it lands on the floor, and below right is a detail of a stitched ‘seam’ that runs down the piece. I wondered if it was inspired by seams in rock, as rock formations was Bobby’s subject for her Research Project.
I watched Bobby’s Research Project with particular interest as her chosen subject (rock formations) was similar to mine (rocks and fossils). However, it’s amazing to see how very differently things turn out, even from a similar starting point. Here are a couple more of Bobby’s pieces (left and below) both of which I find very striking and exuberant.
In complete contrast, this lovely piece (below) by Barbara Deacon is stitched in delicate detail. It was made for Barbara’s god-daughter and her husband, and features the two continents of Africa and India that they each have particular connections to, through historical family connections and through travel. Dyed fabric is used beautifully for the sea and the land-mass, and the stitching is exquisite. I love the spirited elephants trotting across the top (see detail below).